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It's hard to pass up anything made with paper. These are 1,000 years old. Lots more images and the full story are here: LINK to the whole story
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It's hard to pass up anything made with paper. These are 1,000 years old. Lots more images and the full story are here: LINK to the whole story
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I know some of the readers are also quilters. Here's a look at some quilts that are on the contemporary end of the spectrum. There's a fair amount of talking at the beginning where they explain the origin of this exhibit after the more contemporary quilters were not being included in mainstream quilt exhibits.
I'll make a bold statement here. I loved a couple of the quilts - and really did not care for quite a few. It parallels contemporary art. I love a few select pieces - but there's a lot that just doesn't resonate with me.
I can see why they had to start their own venue to show contemporary work.
Quilt National 25 exhibit a video
Also - a link to the organization - which includes info on where the exhibit will be in the coming months.
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I wish I could poll my readers and find out what percent of y'all are artists. Although, it wouldn't matter to me if I only have 1% artist-readers. This is the type of story I like so if artist-stories annoy you just move along.
LINK to a story about an artists' enclave
My older son has a friend from high school, Mike Tallman, who studied graphic design. He is also a musician. Over the years, he has cultivated a very nice business in designing album covers as well as silk screen prints to commemorate concerts and music festivals. I had an idea for a poster and emailed him.
We emailed back and forth - and then it dawned on me that he would be a perfect designer for the USPS because they often feature musicians on stamps. I looked into the requirements to be a designer and found this:
LINK to info about stamp designing. Basically - you send them a portfolio (hard copies) and if they like your stuff, they'll keep it on file. They pay a flat rate for designs but did not specify what that rate was. I Googled and found this info - which may or may not be true:
Artists commissioned to design a USPS postage stamp typically receive a total of $3,000, which includes an initial payment of $1,000 upon signing the agreement and an additional $2,000 upon approval of the final artwork. The original artwork then becomes the property of the Postal Museum.
Mike designed this poster for a gig here in Des Moines - when his band was in town. I love it - obviously.
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Many of us have made the little 8-page booklets out of a sheet of copy paper. I saw a version with 16-pages and had so much fun making one. I do not have a link to the very brief video because it was a reel and I do not know how to copy/paste reel addresses. I did a search for *16 page folded book out of a. single sheet of paper* and this video popped up. I did not watch it so I can't recommend it - but she looks like someone who enjoys teaching.
LINK to directions for 16-pg book
First, we will look at the 8-page book. There are a gazillion YouTube videos with instructions. I do not have time to find the *best* one.
LINK to a gazillion directions
The only tricky part is knowing which way the folds go. There are 3 folds - but some of them will be reversed.
First fold the paper in half - both ways. Then divide each half, in half - again.
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Back in January, I had a little *rant* about the suggestion that wearing nicer clothes on airplanes would resolve the problems with manners. I said that I enjoyed people watching and didn't mind unusual outfits. I mentioned an example of a portly, long-haired, bearded cowboy in cut-off bib overalls, cowboy hat and cowboy boots - and wrote in the original post that I was sorry I had not been able to snap a photo.
As I read that post during my final read-through right before it popped up, I pondered doing a quick sketch of the guy, from memory. That didn't seem like a good use of my time so I thought to myself: Hey, maybe I could ask AI to make a picture. Voila.
I'm the last person I would have expected to be using AI.
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Yesterday we established that the experience (of making art) doesn't need to have a relationship with the product. I stand by that statement - as long as said artist is only creating for their own enjoyment. Once we turn the corner and find ourselves with someone who is enjoying the experience of making things PLUS they hope to find a market for their product - we are in a different situation.
It's a slippery slope. It's fun to see someone who felt a calling to fill up potholes with mosaics end up with a career. He probably doesn't expect to hit the pinnacle of the contemporary art scene with his work. But it looks like he's doing well enough to provide for the essentials. The best part is how content he is with his path.
I know I had the same old dream that every artsy kid has.... to become a famous artist and have a studio. It's a fun dream. As I reflect on where I ended up and the different parts of my free-lance career, I'm satisfied that I balanced things and ended up with lots of artsy friends and kids who don't blame me for being a terrible parent. The boys were off dreaming of being professional athletes. I'll post my daughter's dream, later, because it's so dang funny....and I need to add it to the blog I am creating with all my memories of those kids. Sorry, it's a private blog. But, I might cross post some of the stories here.
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I am writing this on Jan 23 where I just read the daily post about the camera Lucida. In listing the various ways to get an image on a canvas (or wall) prior to painting, I mentioned using a slide projector to project an image. I brought up the question of whether or not it was cheating to use any type of device to transfer an image.
This is probably a topic with tons of opinions and no way to reach a definitive answer. I am amused by people who are not artists - yet they insist that anything other than using your eyeballs and hands is cheating.
Which brings us to Artificial Art (AI). Personally, that's where I draw the line. Maybe it's because it's so new. Maybe people who use AI are experiencing the exact same things that I experience when I am maneuvering my markers across an envelope? After computer graphics had been around for a while, I started to see how the endless clicking was *legit* art - even though I thought that computer generated art was lacking in the tactile sensation one gets with traditional tools.
There is the experience of making the art. Then there is the product. Is one or the other more significant?
Trick question. They both matter and neither can be measured so it's pointless to compare.
I guess we have to drag this topic over to a third day.
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My little rant yesterday about Aristotle went off on a tangent where I questioned whether he even said or wrote down the words: nature abhors an empty space. I did some research to find out if he actually wrote things down and if the original documents still exist. Our Easy-Peasy-Rumor-Service popped up with an answer to my question that says he left lots of writing and it was passed down through medieval scribes.
I hesitate to trust/believe anything I read when I am clicking on the internet. I also hesitate to trust/anything that was transcribed by scribes. So, this topic has hit a dead end. I'm pretty sure that the person who originally said: nature abhors empty space was Aristotle's gardener. The guy was just lamenting the never ending job of pulling weeds. He muttered it to himself - and Aristotle who was just hanging out on his patio overheard the gardener and thought, Hmmmmm - that's a good one. I better jot it down.
Does anyone know which philosopher did not leave anything written down? Socrates. I'm debating whether that tidbit deserves further research/surfing. Also, I read it online - so there is only a 50/50 chance that it's true.
Remember that horror I wrote about yesterday? I feel like I create something horrific when I try to fill up the space. This is wretched. I made something else that I liked - that looked like an envelope and had just one of these stamps - as a consolation envelope to put inside. Then I forgot to take a photo of it. I have more of those stamps - so I will do the same thing on the last five FEB envelopes that I've not done.
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I came very close to deleting the following blurb when I did my final edit because the topic no longer amused me. But, if I deleted it, I'd have to find something else. So... maybe it's fitting that a real dud of an envelope is paired with a dud of an add-on.
Am I just being cheeky or am I foolish to be taking on Aristotle? Yesterday's blurb from Wiki quoted Aristotle as saying: nature abhors an empty space. Excuse me, Aristotle, but who's the cheeky fool for suggesting that you know what nature abhors. Nature, AKA Mother Nature speaks for herself and she does not use words. Her actions speak louder than words.
Nature takes its course and there are plenty of examples of nature offering up empty space. Has anyone noticed those deserts? OK, technically they are full of sand - but that is splitting hairs. Deserts are visually quite sparse. So are prairies for that matter. How about the sky? The sky can run the entire spectrum from empty to full. I rest my case.
My apologies for calling Aristotle a cheeky fool. He wasn't. He was simply a resident of a small peninsula so his perspective might be a bit provincial. He never went up in a hot air balloon or flew over any of the other continents. Did he understand the planets and orbits? Did he ever vacation anywhere? Who invented vacations?
An old favorite link that I posted a while back - TRIVIA
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Am I the last person to find out about horror vacui? Spellcheck is not cooperating. It looks like latin and the obvious translation is being horrified at emptiness. That is correct. It is the flip side of my natural inclination to leave some white space. While I lean towards loving white space, I often admire works that fill up all the space gracefully. I'm not a big fan of haphazardly shoving everything into a space just for the sake of filling.
I was allowing myself five minutes to scan through IG and some work by Jurgen Vercaemst. I popped over to his page, scrolled a bit and discovered a reference to horror vacui which led me to Wiki - and this intro:
In visual art, horror vacui (Latin for 'fear of empty space'; UK: /ˌhɒrə ˈvækjuaɪ/; US: /-ˈvɑːk-/), or kenophobia (Greek for 'fear of the empty'),[1] is a phenomenon in which the entire surface of a space or an artwork is filled with detail and content, leaving as little perceived emptiness as possible.[2] It relates to the antiquated physical idea, horror vacui, proposed by Aristotle who held that "nature abhors an empty space".[3]
Work I did a few years ago without any purpose or goal as to layout whatsoever. It seems I’m avoiding layout issues by using this ‘method’. Or as someone recently put it, horror vacui or a matter of kenophobia.
Back in 2019, this mosaic appeared in the street right where my daughter lives and where I visit so often. She knew I would love it - and I'm not sure how we learned about the *street artist* who was filling potholes in Chicago. It was there for a couple years and then one day the city pulled it up and did a regular repair. I was so sad when it was gone - but happy that there was one for us to enjoy for a while.
Whenever I visited, I would get a little wistful every time I walked by the replacement patch, which was often, because they live close to shops, school, CVS, etc and I'm always out on walking errands. I thought I had posted this on the blog, but couldn't find it. Also, I had not thought of finding out how the artist is doing. Then, one of his works popped up on IG - and I am happy to report that his business is booming.
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Here's a question. Is detritus and ephemeral stuff the same thing? I've been writing about ephemeral stuff. Then I ran across this person who is making a name for herself in the world of contemporary art. Her work looks a lot like the work of people who were once called outsider artists.
It looks to me like the line between outsider (or whatever the proper term-du-jour is) and mainstream artist is not just blurred - it is gone. That's just my view. Feel free to ignore it. If you, too, like found objects, ephemeral stuff and non-traditional art - here's a rabbit hole for you.
LINK to her website If you have time - I like the first animation - it's only 4 minutes
The following two paragraphs are from the internet - not my words. It's probably off the website - but, I'm not sure:
Lydia Ricci’s practice unfolds from a long-term process of accumulation, care, and transformation. For over thirty years, she has gathered everyday detritus—paper scraps, discarded objects, remnants of lived time—and reassembled them into sculptures that hover between tenderness and quiet disillusion. Central to her work is the notion of Letdown: not as failure, but as the subtle space between expectation and its soft collapse. These works give form to the fragile rhythm of ordinary life, where memory, anticipation, and imperfection coexist.
Her sculptures are imperfectly perfect replicas of quotidian moments and objects, constructed from materials charged with personal and cultural histories. Ricci’s process is deeply rooted in inheritance and necessity: raised by a Ukrainian immigrant mother skilled in improvisation, and an Italian father who never discarded anything that might one day be useful, she learned early on to value what others overlook. Tax forms from the 1970s, dried-out erasers, broken game pieces, old utility bills—materials she cherishes like family heirlooms—are honored through meticulous acts of making. From a tiny roller skate fitting in the palm of a hand to a wall-spanning lace bra composed of canceled checks, her works remain messy, fragile, and human, mirroring the way memory and perception function.
This one took 2 weeks to get from Janet to me. While we live 17 miles apart - our mail is processed at the same facility. Janet had a lot going on in January and forgot to include the ZIP code - so we had to wait for someone to figure it out. Their penmanship is pretty good. They clearly put some thought into the placement of the ZIP code in relation to the other lettering. It would be fun to meet more postal workers - especially the one whose job it is to help our mail reach its destination.
Janet and I both used this stamp for the JAN exchange. I've often thought it would be fun for everyone to use the same stamp during one month - but that would be impossible. The artsy component of the exchange supports the *I'll do whatever I want to do* perspective and it seems like the exchange attracts people who just want to do whatever they feel like doing - so we won't mess with that concept.
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I found another stockpile of things to use for add ons. This is for the people who like fonts and old lettering. Clover sent the link. Thank you so much. I found it in the 2024 folder <sigh>
Here is another link sent by Clover - a public domain archive.
And one more from Clover....font related.
It's possible I already posted these - but, I'd rather just post them again to be sure. I'm a belt and suspenders kind of person. I was surprised how many people are not familiar with that expression. Perhaps the world has turned to elastic waistbands and belts and suspenders are things of the past.