This popped up on IG yesterday - I wish the whole image had fit - I hope they print enough of them that they last a really long time.
decorated envelopes, mail art, lettering ideas
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I agree that certain kinds of comparisons do not provide any benefit. However, the nature of learning how to write hinges on comparing your work to an exemplar. We have to start with some basic shapes that represent letters and we generally do that when we are 4-5-6 years old. Some of those basic lessons stick with us forever.
A favorite example of mine is when people put way too much space between their words. Many times, I would see someone with good skills but the amount of space between words was very distracting. We would discuss that space and sometimes the adult student would recall that a teacher in elementary school had required the kids to use their pointer finger as a gauge for how much space to put between the words.
I tiny little 5 year old finger was appropriate and proportional to the size of the writing. But, for some people that generous spacing grew over time. I'll look for an example where it's obviously distracting. But it was often baked into the person's muscle memory and it can be hard for people to adjust that spacing.
Then there are the tight-letter-spacers. Some people pack the letters so close together they are almost touching and it can be challenging for them to alter that habit. There's no right or wrong amount of space. With Neuland, touching letters can look better than those with space. It's just one more variable where the space is as significant as the strokes. It's a picky detail, but once you take note you start seeing how all those picky details contribute to harmony or hodge podge.
Don't get me wrong - I like a good hodge podge. But not all hodge podges are created equal.
More tomorrow.
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Added later today - here's an example of too much space between words. It's written by a left-handed, non-calligrapher.
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The third example of sheep-or-goats involves the aesthetics of anything. By now, if you've been looking at the envelopes on the blog you've seen some that are drop-dead-gorgeous and you're pretty sure you'd never be able to do anything like that.
I agree, if you are already thinking that it is beyond your ability - it is. On the other hand, if you think you could be uber-skilled - nobody can predict how far you'll make it on the road to mastering whichever style you choose. None of us know when we will hit a wall and decide that something shifted and we're not mesmerized by the hours of practice.
I was in my early 40s when I started taking classes in calligraphy. I realized right off the bat that it was going to be pretty hard to find the hours I needed to make it to the level that I would have liked. A wise person in my guild pointed out - there's no shame in saying - I'm going to be happy where I am and I'm not going to apologize or whine about not making it to a more proficient level.
Where you are on the skill level spectrum is changeable - it just takes time. Where you are on the sheep-or-goat spectrum is just the place you are. Since we are all on the sheep-goat spectrum, it is inevitable that we will make comparisons.
Holy cow!!! Is she going to talk about comparison. That's a hot topic. Comparison is the thief of joy. We aren't supposed make comparisons. Comparing is evil. You'll be a miserable wreck if you allow yourself to compare.
Get a grip. Tune in tomorrow. And no, I did not micro-dose myself with the coffee this morning, unless MrWilson laced my coffee extract. I make coffee by adding boiling water to a quarter cup of liquid coffee extract.
The Sheep and Goat spectrum is also very wide. It covers aesthetics and categorization. I have no idea how many examples I'll come up with, but off the top of my head, there are three that impact the exchange and my philosophy of life.
No 1:
Art or craft. I run with a lot of people who have degrees in fine art. Some of them are uppity about that others are not. Personally, I'd make another spectrum that spans the *Uppity -- Humble* range of people but, I have a lot of empathy for the uppity people because I don't think they were born that way. I think that is a cultural thing and that's a side issue.
There is no Pope of Arts and Crafts to hand down the absolute truth about the difference between an art and a craft. Some people get all worked up about the issue. Personally, I think it is a waste of time because the skill level overshadows whatever you want to call your *work.* At least we can agree that it's all *work.*
I put the *art or craft* debate on the sheep-or-goat spectrum. Even though I have had people pick up an envelope or even a simple place card and state emphatically that it's an art to make something that lovely. OK. I also know calligraphers who are way more skilled than I am - and they insist that calligraphy is a craft. OK.
Everyone gets to decide for themselves.
No 2:
Calligraphy-Lettering-Penmanship - It's impossible to put these on the sheep-to-goat spectrum because they do not fit into specific categories. There is a real blurring between all of them. However, it's nice to know that within each category there are a multitude of options. If you can hold a pen you can start noodling around with those 26 shapes.
It's hard for some people to noodle around with the 26 shapes and consider that noodling to be an art or a craft. OK. I'm not going to argue with you. But if you are looking at an interesting way to make shapes that literally convey a message, you are being creative. Even if you just choose two colors of markers and alternate the colors on each letter - that's a creative choice that you made. Tomorrow you might alternate 3 or 4 colors. Or maybe you'll mix up the caps and lower case.
No 3:
Rats. I can't remember what the third one is. But this is too long. So I'll figure it out later.
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Remember when I described the wide range of people in my classes? Everyone thought that calligraphy was so pretty and looked like fun. Only a few people were cut out for the tedious work it takes to build the skill of traditional calligraphy so I started to come up with ways to give the other people something to do that felt fun and doable.
Enter Tom, a student. Tom was a retired guy and not very talkative. I did not grill new students about why they signed up for calligraphy. Tom was a big guy, with big hands and I could see that he was struggling with the daintiness of the size of lettering that works for most people. I pulled out something big for him to write with and got some big paper - and suggested he just follow along at a larger size.
Voila!!! I don't like to brag - but my little problem solving experiment turned out to be a raging success. Tom remained quiet and towards the end of the session of classes he told me that he was really enjoying painting big signs and posting them in his yard. Wow!!! That's bold. I was really curious to know what the signs said, but I remembered that sometimes it's better to not ask for too many details. As I recall, he had a little twinkle in his eye about his signs and made a vague reference to stirring things up a bit. Maybe he moved on to other activities - or maybe he's been churning out signs and enjoying his retirement.
During one of the classes, I brought up the topic of skill level and said that there is another spectrum that is not skill based it's just a difference - two ends of a spectrum - and I said I needed a way to differentiate between two things that were wildly different - but neither was *good or bad*.
Tom said, "Sheep and goats."
Yay, Tom!!! That's perfect. We have the broad spectrum for skill, tomorrow we will dovetail it with the Sheep and Goat spectrum. I guess we did end up with a three-pronged spectrum.
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To recap:
Originally, the exchangers were mostly calligraphers - although it quickly branched out to people who made their own envelopes, rubber stampers, collagers and even a couple graphic designers. Within those four groups - there was a complete spectrum of skill level. Over the years, I've received feedback that the welcoming of all skill levels is appreciated.
Within the ranks of traditional calligraphers on other platforms that offer exchanges, there is a tendency for people to want a certain skill level - and they are not always welcoming to the complete beginners. I can see how that works for them and I wouldn't expect them to change that approach. I'm a bit of a unicorn. I think my exchange attracts unicorns. We don't really know each other but there is a certain amount of camaraderie.
As the years rolled by, people come and go. There are quite a few people who sign up once and then we never hear from them again. It's a mystery but we're not going to delve into it. The part that I enjoy is how consistent the exchange been with numbers. I always have lists of 6 people and the fewest number of lists has been 4 and the top number has been 6. So that works out for me to be able to put myself on all the lists. If I had more than 30 people sign up, that would be too many for me.
Hopefully, the way we have a posse of people with a wide range of skill levels is clear. Tomorrow we will separate the sheep from the goats.
What is she talking about? What happened to the three-pronged spectrum?
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We have established that the exchange started because I had a blog for my students and then we decided to exchange envelopes. As I said, since the 90s, I have been running with calligraphers and participating in all kinds of exchanges. Most of the time, they were people who were seriously working on their skills.
I had learned very early on when I was teaching that lots of people sign up, with the idea that calligraphy is fun and pretty. They had no idea how tedious it can be. So, right out of the chute, I started to introduce some very alternative styles of lettering to show people who were not cut out to be traditional calligraphers that you can have a lot of fun with the alphabet and Crayola markers. You do not have to stick to the traditional styles. You can have fun and you can wow people with the DESIGN aspect.
There was one person in the first exchange who had done a ton of mail art. She was very good a collage and rubber stamping. There was nothing about traditional calligraphy that drew her in. She'd been having fun exchanging mail with people who were not calligraphers. So, from the very beginning, my exchange was open to non-calligraphers.
Then, people started posting envelopes on Pinterest and that's how non-calligraphers found the exchange. Finnbadger was one of the very first people who found me and sent me an envelope out of the blue. I think it was even before I had started the group exchange - so we just started exchanging on our own. His whole *thing* was making handmade envelopes - but he had a very good eye for design and the choice of stamp was an integral part of the mailing. He worked the name and address into the composition - but it was always his everyday penmanship.
His penmanship was just penmanship. Not stylish - but not awful.
One day - he tried an actual lettering style - and I still remember how excited I was when I pulled that envelope out of my mailbox. A non-calligrapher had been inspired to try his had at lettering. I could hear a chorus of angels in the background. It was like that time Alexander Graham Bell made his first phone call.
So, part of me keeps thinking I can inspire non-artists to bust out of their penmanship and try lettering. I don't think anyone needs to go all the way to traditional calligraphy. But, I do think it's fun to mess around with the 26 shapes that we all learned when we were five years old.
While I think it's *fun* - it's fine with me if people shun the whole concept. Seriously - the only thing that is required is some sort of embellishment. So far - nobody has sent an envelope with a stamp and just a name and address in very ordinary handwriting.
More tomorrow.
I mentioned the 3-pronged spectrum yesterday - but then I realized that we need a different description.
When I started the blog - it was specifically for my students - people who were studying calligraphy. I already had a ton of pen pals, and calligraphers have been doing exchanges for much longer than I have been doing them.
Within the world of exchanging and calligraphers... everyone is on the same spectrum in terms of skill level. It is a broad spectrum which means that you might only have master skills with a broad edge nib and you have never warmed up or cultivated any skill with a pointed nib. Or maybe you just do brush lettering. There are a multitude of styles and tools. Within the brotherhood of calligraphers there is mostly kindness about skill levels because nobody was skilled on the first day they picked up a pen. N.O.B.O.D.Y. Everyone started at square one, trying to make the letters in the alphabet. So, when we have whiners in an adult calligraphy class - because they have written the alphabet once and it doesn't look like the instructor's work- we try to explain that it takes time.
Some people are drawn to the concept of taking time to master the strokes - other people think it is torture and they want no part of it. That's fine. I was not cut out to play music. I learned how to play a piano because I wanted to. I got to a certain point where I could buy sheet music and figure it out. But, if there were too many notes - it wasn't fun anymore. I lugged the piano around for a while - and waited to see if my kids had any aptitude - and then got rid of it after I had the second kid.
Sadly, when the third kid arrived of his own free will - he was the kid who was born with a passion for music. But the piano was long gone. And where is he now? He's in a house with:
1) a short upright piano in the living room 2) a beautiful Hammond B3 and Leslie in the dining room 3) a Yamaha electric keyboard in the guest room and then there is the large music room in the basement where there is a 4) Fender Rhodes, 5) Clavinova 6) a stacked set of 2 more electronic keyboards 7) a keyboard that's in a case and currently on loan because it's for people who might need to go play somewhere.
There is also a drum set, various other things one can pound on, a guitar, an Omnichord, and another thing that you blow into and it has a little keyboard.
Let's not forget the THREE more organs and one Leslie in the garage that people gave him - because nobody can get rid of organs anymore. These were collected prior to him getting the Hammond B3 - and he has agreed that they will have to go to the dump. I suspect that they are all full of mice.
Sorry for the long digression. I'm grateful that my son has a passion. I'm glad it is not stray animals. Or BeanyBabies. But I allowed myself this digression to make a point - obsession with music or sports or cooking or gardening is the same thing as being obsessed with calligraphy. For a lot of people it's a thing. And we make it look easy - but it takes TIME. Same with musicians. They make it look easy - but they spend So.Much.Time cultivating the skill.
More tomorrow on skill levels and my exchange and that 3-pronged spectrum.
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There is a lot more to appropriate at Sandra's website....if you like scandi-style designs.
MacKenzie's idea for her envelope is one that I would steal in a minute. It's also one that I could start right now and have my April envelopes all ready to go.